Thursday, June 30, 2005
Ok, so I came to several conclusions at work today, and thus I present them to you, dear Blog:
1. Nobody likes me.
2. Everbody hates me.
3. Worms do not equal love.
4. Goats and llamas are universally funny. You just smiled didn't you?
Monday, June 27, 2005
I haven't seen this good a movie in such a long time! It was essentially about this high school that put the E in Evangelical. It was actually cute, odd as that adjective seems, how totally it consumed these kids. And then one becomes a gay and his girlfriend in an attempt to de-gay-ify him, gives up her flower and of course gets knocked up, and pretty soon it becomes apparent that none of these kids are who they thought they were. The best part was that it neither glorified secularism nor shot down devotion, and though the latter did take a few good jibes, but the characters were so earnest that it didn't feel like fun was being made at their expense. Rather, it was kind of like observing a different society.
I had another of my bus experiences today on the way home from work. I don't read much on the bus anymore because I love looking at people, searching for beauty. I actually once crashed my car because I saw someone beautiful. It's rather uncontrolable, but no more than any other hobby. When I was 10 I used to collect rocks; now I collect prettiness. But I digress. So I'm on the bus, near the back, on one of those side-ways seats just before the very back seat, the kind that have two very confined seats. At confusion this boy got on. He was my age, but very much a boy: wide-eyed, slightly cautious in his movements, slouchy. I think he might have been just a little developmentally delayed, but in a very angelic way. The bus was very crowded, except for the back seat, which had two people bookending and three seats empty. Still, when he got to the back, he paused, and he got this face like he was thinking, not to the point of pain, but just enough so that I in a blind moment of sociability, scooched my bum over, just a half an inch, but enough to say, "You can sit here." I didn't actually expect him to, and yet he bashfully smiled as he took the seat. I took my right arm from where it was connected at the hand with the left and leaned my elbow on the back of my seat so I could continue looking out the window. I was half facing him, and although I was clearly looking out the window, he arose from his ten year-old's slouch and straighted up, looking about as comfortable as I imagine my father would trying yoga for the first time. Over the next thirty seconds he found a comfortable position, although the hair on his forearm was standing on end. He got off eight very lengthy minutes later, and as his feet hit the cement, he took off in this incredibly awkward but beautiful run.
It wasn't anything. Just a moment.
Sunday, June 26, 2005
Ok, so I just wrote this big long thing and my ass of a computer just ate it, and so je suis le pissed, but here we go anyway.
Well, the floodgates have been opened. Very few people know this about me, but I don't believe in 'liking' something, or even 'really grooving with' something. I get full-out lobster-bib obsessed. This takes a lot of energy, as you may image, so I have been known to purposefully avoid certain pop cultural "things" that I know that should I be exposed to them, rampant obession will follow. Take RENT, for example; I put off listening to that for years, and then one day. . . cut to a month later a month later and I'm weeping in the middle of the Centennial Concert Hall. It was very much a wet-nap and cuddle-time situation.
So when I took the vows of Chastity where Tori Amos was concerned years ago, I really, truly, meant them. I listened to one song and capital L -oved it, but convinced myself that this was only due to the emotional placement of Siren - said song - in Great Expectations. But then on Thursday, I'm trolling my way down Corydon when I come across Boys For Pele, her 1996 album, in Music Traders. '"It's just one album and besides, she's kinda weird so I probably won't even like her all that much."
I freakin' love her, God damnit!
So now it's all Moses crashing the sea onto the Egyptians, except they weren't newly infatuated with a woman who's produced eight other albums, when of course I simply must have, cause of my freakin' addictive personality, and let me tell you, those other ones are not gonna cost me $7.95 neither. No sir! And let's talk for a minute about time commitment; this is not a woman that puts out wimpy indie-rock 10-track albums, oh no. We're talking anywhere between 12 and 19 on one album. That's 150 songs! So goodbye social life and hello Ms. Amos and her motherfucking gorgeously ethereal sound!
Ok, so in other news, a friend and I were talking last night and we were having this rather philisophical conversation. I say 'rather' cause it wasn't Plato and Aristotle here, mostly due to the fact that our philsophical conversations mostly arise out of trying to out-trump one another with quirky weirdness. Anyway, so we're all discussing the concepts of truth and reality and existential crap like this when he drops religion on me. Ok, back the truck up, I say, Are you sure you want to open this door? I mean, we've opened it a crack before, but once we do this, it's, like, open, and stuff. Now let's just say that my friend and I have very different spiritual backgrounds. We are both well-educated, open-minded people, but when the observant and the agnostic get together it can get messy. Well, he responded, I'm up for it if you are, not unlike two fourteen year olds guys playing 'truth or dare' for the first time (Hey, I said we were both open minded). So we begin, and I think this is going to be one of those awful debates that will enevitably end in the statement, "Well, that's why it's called faith." However through a series of realizations, we come to the conclusion that while he adheres strongly to a religion and I don't really adhere other than culturally, that we can both agree on the fact that NO ONE KNOWS DICK! I mean, we believe, sure, but despite protests from both sides - ok, mostly one side - no one knows, and the fact that we were both so humble in our own humanity was just beeee-yutiful.
I think about religion a lot, hey?
Monday, June 20, 2005
I was at Zeller's this eve fetching wall tack to hang some of the fine prints I have amassed, and when I got to the line there was this black couple arguing with the check-out madame about the discount on conditioner or something. Now these were middle of the road, over-weight, not-overly educated people, these assumptions from sweeping generalization in regards to their verbal and physical communications, and well, my eyes. It wasn't like I thought any particularily racial thoughts, like, "Oh black people, just hurry up!" but I thought perhaps I was annoyed because subconsciously I resented them.
Then I began pondering my views on other aspects of the non-caucasian minorities...or rather majorities, cause if those kids ever got it in their heads to bring us down, we'd be dead. Anyway, so I thought about the stereotypical drunk native downtown, and the G'ed out ghetto superstars with their skull caps and their ebonics, and I was like, "Oh God! They all annoy me! I'm Hitler!" And that's a pretty big statement for a guy that come next Holocaust is donning a pink star.
But wait! Then I thought, "Ok, so I'm Satan, but what if it was white people acting like that?" And I thought about drunk white people down town, and white guys preaching mysogeny and bad fashion sense, and lastly I thought about white, chubby people arguing about Pears Conditioner and it hit me - I hate them too! Well, not hate, but they bug me. So I'm not a racist; I am pissed off by all dumbasses! Black, white, asian, native, straight, queer, stupid, or just plain moronic.
Pink star, here I come!
I started work with the Fringe again, and it was so freakin' good, I can't even say. It's been an entire year since I've been in a job where I genuinely felt needed, cause the government is just one big chorus. One big tone - deaf chorus. By the way, I came across a file the other day for which was the name was Redneck Farms. It's right on the Alberta-Saskatchewan border. I love it.
I'm also having a very flash-back-to-high-school week. My best friend is in from Vancouver. (Whoever came up with the term 'best friend' really just hated humanity, because it's such a final term. It's not like she's my ONLY best friend. She's more the best friend in her category. We should really categorize our friends, hey?) Plus I spent Friday night in a small room with all of my former high school friends and it was spooky. Mostly cause there was about three of them that I actually feel anything more than ick for, and while it's like, a LOT more than ick, there was still a hella amount of ick in that room. And smoke. Cause apparently everyone smokes. Or at least enough people to make a small room seem hot boxed with carcinogens.
Lastly, I've discovered the defining difference between folk music and other genres of popular msic such as rock or rap. The latter two deal mostly with telling a story through instants - This happened, then that happened. They deal with emotions on a very superficial extreme level - I love you, I'm happy, I...hate...everything about you. Folk will tell stories by painting pictures with words of the settings, not of the events taking place. For example, a hip hop song will say, "An' den she wuz shot down in da ghetto" whereas a folk song will say, "the onlookers stared as the girl watched the ambulance pull away". Much more subtlety, poetry. And this is also how folk expresses emotions, not by outright saying, "I'm feeling..." but rather telling a narative to depict their feelings.
I saw a really powerful movie this weekend. Mr. and Mrs. Smith. No, kidding, although I did see that too, and it was pretty damn good. I would so do Angelina and that's not even queer boy talking all big. That's for real. No, I saw Bent, which was about these two concentration camp prisoners that become lovers without ever touching or really making eye contact. Their 'job' in the work camp is to move rocks from one pile to another about 10 metres away and every hour they get a three minute break. During one of these breaks, they make love purely by standing side by side, looking straight head, and essentially having aural sex. It's unreal.
And for those of you who are thinking, "How do they do that if they're side by side, and the guards are watching an man, and his spelling sure sucks," please stop reading this. Your kind is not welcome here.
Sunday, June 12, 2005
This has been an incredibly exhausting year for me, for all of us. Between the festivals, and competitions, and performances, and school, and work, and a mad cap social life (you know me ), I'm afraid it's coming back to me and just before the most stressful time, Fringe. I'm hoping the month-long normalacy of 9-5 during June will help prepare me. [Since this was written, I've been approached to start with the Fringe three weeks earlier so the month-long normalaxy is pretty much shot]
Other than physically, I'm no more emotionally exhausted than usual. However, when one is prone to tragic flights of idealism and romance, emotional exhaustion is normal, I suppose. I've been feeling a lot of changes since the New Year, almost like a mental and emotional puberty, trying to diversifymyself, the forms of which is (naturally) art and expression. I've taken to unwittingly directing music videos in my mind whenever I hear a song in a language I understand. Often they concern montages of our friends, many of the images hypothetical as the 'video' is a thesis on our four years together. Another popular one is that salon at my living wake [more on that next time], although I've sat with the idea long enough that it doesn't seem morbid to me anymore. I have my MRI in a month and a half and that's probably contributing to it as well.
I feel like I'm fighting a lot with my own creativity right now, often in very egoist terms, such as imaging detail for detail my own recital as I attend someone else's. Further, there is one matter that I don't quite have the courage to express, and that is a song cycle I've written over the past couple years. There are twelve in total, and the genre is extremely hard to define because I feel that it should extend beyond simply a boy and his piano. I've toyed around with percussion, thanks to B, but I hear the guitars and the bass and yet have no clue where to begin incorporating them. The order is troubling as well as it deals with a vast number of themes, not the least of which are failure, disillusionment, madness, and redemption. At it's peak, I see it presented dramatically with short monologues between the pieces, offered not as explanation, but rather narrative. I have written seven sonnets that I would like to incorporate, one of which was composed in the vein of Greco-Roman myth, the sun and moon acting as two halfs of the whole and so forth.
Essentially, I'm just overwhelmed. I'm happy to say that it is mostly from positive sources, though they can be a bit dampering.
Saturday, June 04, 2005
I do not consider myself homocentric in the least. In fact, I often Tom Delay-esque levels of disdain with il mio communitio. Still, there are somethings that my breeder lifemates (And I love ya, yes I do), will just never get, because even though the Jews were slaughtered by the millions, and the Blacks were enslaved my the millions, and the Mennos persecuted because of their ardent love of schmofat, these prejudices/discriminations are no longer an acceptable part of this society. As much as I hate to admit it, as I hate being allied for something as base as biology, there are certain cultural and social bonds that one can share only with another person in the queer category (Let us not label. Labels are for Campbell's soup.) And as for the whole connecting via the internet. . .If you're the type who doesn't like to be downtown at night, hates any sort of performance situation, and considers Friends "edgy" than the world of cyber-communications is probably not for you. You need to read between each line that is presented towards you, and there are definite precautions you need to take, the biggest of which is trust your gut. But honestly, the biggest fault most people have through instant messaging and e-mails is that they are sinfully boring. Yes, you will encounter the odd vampire fetishist that wants to keep you in their apartment for two days without food, but hey, some people are into that. Wow, am I ever not, but you know, go with God and stuff.
So I've found a couple people worth taking to and I realized yesterday that I've just been sending them all my ramblings instead of blogging, so I'm going to pull a little cut and paste job, originally meant to save time, but now that I look at the preamble, it probably wasn't worth it, but whatever:
re: my saviour complex (developed from my first relationship in which we both needed saving. Him, from himself and his nutty fear/hate-instilling family; me, from the fiery pits of hell apparently):
The whole "saviour complex" was simply a fun fact about me; I have no aspirations to save anyone really. I just hate it when people overcomplicate their lives and refuse to make themselves happier due to fear or laziness. Maybe that's my ambition: in lieu of solving the AIDS crisis. I will instead teach the masses how to recognize what Ace of Base was trying to tell us all along: it IS a beautiful life. A major part of that is finding balance in social grace. I fully believe in manners and decorum but political correctness has become a joke; if you get your panties in a knot over being called a stewardess instead of a flight attendant, you have way too little to worry about. Go talk to a Swahili pygmy being chased by a lion. Now that's stress. And he doesn't care if you call him a pygmy, he's just happy if the lion goes hungry that day.
Essentially after nineteen years of angst and over-emotion, I learned last summer that not everything needs to be a big deal. Emotions should be savoured, not wasted.